Trying their hand at predicting and outlining a future youth subculture aesthetic, German artist Ines Hanf presents their vision of a 2090 graphic and design trend, rooted in medieval sentiments filtered through black and death metal.
“It is a fact that I would not have been an artist without the death of my brother. I lost my whole frame of reference, part of me still remembers that time.” Belgian artist Laurent Impeduglia creates painstakingly crowded, slightly disturbing, colourful and seemingly random scenes in which the viewer can get lost for hours on end.
In her collection based on the mythical and folktale phenomenon of shapeshifters, Swedish designer Maya Sundholdm studies the breaking point where a garment essentially changes its wearer's silhouette and appearance, via developing her own technological and material-crafting processes.
“I suppose the way humans think is naturally gothic in a sense. The desire to simplify the perceived world, to abstract everything we cannot reasonably grasp and, at the same time, be a part of it all,” says artist Dominik Adamec. Which way do the Middle Ages penetrate into his works, how does the contemporary chimera look, and what does repetition lead to?
In a self-described transhistorical and cyclical view of historical events, digital French artist Léa Porré explores the idea of the 'Sacrificial King', a mythological pattern found across all civilizations and eras, in juxtaposition with the decapitation of King Louis XVIth during the French Revolution.
Dominika Dobiášová's distraught girl guide will take you through dreamy, floaty scenes drowning in dimmed light and colours. The author regularly cuts up and resews canvases to emphasize the already fractured feeling.
While being often likened to Charles Burns, Tomáš Motal's one-of-a-kind personality, distinctive underdog humour and outcast characters never fail to make his black and white illustrations and comic books stand out on their own. Welcome to the creepy vortex.
If black metal were a landscape, it would manifest through the works of Russian artist Vladimir Omutov. His objects and sculptural works are distinguishable and noticeable mainly thanks to dark organic shapes that feel constantly fluid and pliable, reminiscent of dripping tar.
“If it's not worth waiting for, you don't need it.” Jeweller and wearable-object maker Corrina Goutos crafts tongue-in-cheek future artifacts from everyday throw-away items using historic handiwork techniques.