“Everyone should have beauty. Everyone should have access to beauty.” Chances are you have never seen anything like Nina Sivager's embroidered and tapestry-infused concrete house banners and decorative tiles, which manufacturing process was inspired by medieval handicraft.
Julia Makivic invites us on a journey that juxtaposes folklore with futuristic technology. Join us on a visit to Camaraderie Park, a haunted theme park where holographic spirits recall a painful history from a position of reconciliation and intimacy. Don’t forget to bring your wearables!
“I suppose the way humans think is naturally gothic in a sense. The desire to simplify the perceived world, to abstract everything we cannot reasonably grasp and, at the same time, be a part of it all,” says artist Dominik Adamec. Which way do the Middle Ages penetrate into his works, how does the contemporary chimera look, and what does repetition lead to?
In a self-described transhistorical and cyclical view of historical events, digital French artist Léa Porré explores the idea of the 'Sacrificial King', a mythological pattern found across all civilizations and eras, in juxtaposition with the decapitation of King Louis XVIth during the French Revolution.
Dominika Dobiášová's distraught girl guide will take you through dreamy, floaty scenes drowning in dimmed light and colours. The author regularly cuts up and resews canvases to emphasize the already fractured feeling.
If black metal were a landscape, it would manifest through the works of Russian artist Vladimir Omutov. His objects and sculptural works are distinguishable and noticeable mainly thanks to dark organic shapes that feel constantly fluid and pliable, reminiscent of dripping tar.
“I like to think of a romantic analogy between extreme sports and chivalry codes, which leads to a modern adaptation of romanticism,” says French artist Neckar Doll about his sometimes ominous objects. Find more in an exclusive interview for SWARM Mag below.