ERNESTO’S TRAUMA TOYS

Honeylambs Mission is back! Our previous feature on Ernesto Stewart and his singular project became SWARM Mag's historically most viewed article. We caught up with the artist two years later to learn what's new in his sanctuary for disfigured and mutated plushies, inhabited by the souls of the deceased.

Ernesto, welcome back! Your last article on SWARM Mag has become the most viewed piece to date. How does it feel to know that your story resonates deeply with SWARM Mag readers?

It feels super awesome to know that my work resonated with your readers! I’m so glad the message came across.

In what ways did the creation of Trauma Toys captivate you at the start of your career, and how has your fascination with it changed over time?

The Trauma Toys became my obsession for a few years at the beginning. I was filled with energy and a burning passion but then it died down and I became severely burnt out. But now once again, I have found the fire and I’m excited to continue creating. 🙂

Can you describe the process behind crafting one of your signature handmade toys?

The toys begin with me looking at the huge pile of stuffed animals I’ve collected throughout the week. I separate them into colours and textures but sometimes the designs just jump out at me. I usually tend to go for a nice colour palette or a body part of an animal that would never appear on another animal’s torso. For example: a penguin’s head on a dog’s body.

What role do you believe handmade toys play in contemporary art, particularly in terms of nostalgia and emotional connection?

Handmade toys hold a significant place in contemporary art. There’s a vibrant community of artists creating everything from plushies to Japanese Sofubi, pushing the boundaries of creativity and expression. Toys are deeply tied to childhood memories, making them powerful vessels of nostalgia and an important cultural touchstone in art.

Looking ahead, what new projects or directions are you exploring in your artistic mission?

I’m going to be introducing a new kind of toy soon, something with a completely new vibe and feel. I’m also working on a guided-meditation trance album, and many more videos along the way.

At SWARM Mag, we are now focusing on the theme of SUGAR RUSH. Is there a particular candy that helps keep you energised while working?

I love Nerds, but Fundip is my fav!

Read the previous article here for more context and an introduction to Ernesto’s work.

Did you like it?
Share it with your friends

Bio

Honeylambs Mission // We believe that there are countless innocent souls, or Trauma Toys, trapped in Hell. It is our mission to rescue these souls from their torture and give them a second chance at life! They might look a little different, but they are still worthy of our love and acceptance. 

With every adopted Trauma Toy, a certificate of adoption comes along with them. This is the Adoption Oath: 

“I have adopted a toy that may seem wrong.

Their torture and pain have been held far too long.

And even with their “Trauma” and strangeness in mind, 

I’ve learned to accept and to love all their kind.”

Credits

Artist/ Ernesto Stewart aka @honeylambs

https://www.honeylambs.org/

Interview / Kateřina Hynková @khynko

You may also like

“It is a story about a long night, about everything that disappears during the day and only comes out after dusk.” Polish fashion designer Pat Guzik breathes new life into her garments by collaborating with visual artists, such as Aleksandra Waliszewska and Zbiok Czajkowski, whose dreamy and tongue-in-cheek works adorn the skirts, sweatshirts, jackets, and other ready-to-wear pieces by the designer.
French painter and illustrator Sébastien Pastor navigates between naïve figuration and abstract expressionism, building visual worlds where bold color palettes pulse with rhythm and absurdity. Discover how his colorblindness became a creative signature and how he leaves room for the enigmatic in his works.
Spanish illustrator Laura Mestre transforms emotional overflow into tender visual poetry, using symbols of water, flowers, and cracks to map the quiet beauty hidden within difficult experiences. Discover how metamorphosis, instinct, and a fanzine called "Hay que volver" helped her reclaim drawing as both refuge and release.
In my last year’s review, I wrote that some part of me wished to keep PAF jealously to myself. Either that wish has not been intercepted in the ether or has been twisted completely because the 2025 edition of PAF, Festival of Film Animation and Contemporary Art in Olomouc, Czechia, was bursting at the seams; again. However, it’s one of the Czech festivals that deserves to be sold out and a bit cramped, and I’ll tell you why.