BATKIM, HORNIE & VILLAIN

Experimental fashion design translates into an alter-ego villain performance in the pictures and videos by Korean designer Kim. The mood of her works stands somewhere between sportswear snaps and satire.
villain_uvodka

WORDS BY THE AUTHOR / We get to hear pretty is good and ugly is bad. But I was a jealous person. I was selfish. I was spoiled. I was angry about things. I didn’t appreciate myself. I was hurt. I was just like a mischievous kid with horns in a cartoon. I felt this inferiority all over.

But…

So what? I am angry but I gotta express this. I am angry because things happen in life and I will express it but in a beautiful way. How I express my anger is honest and beautiful as a woman. And one day I filmed myself looking in the camera, dancing angrily but wearing the clothes I was prototyping at home at the time. I danced like a bat. I wanted to be an angry bat.

KIM1512
pink suit
KIM1777
KIM1655
pink side insta 2

 

That is how I started my brand. Or started to have character inside the clothes. So to sum it up in one sentence – it is about displaying your insecurity and maybe your anger but clothing it on a woman’s body and being beautiful. Pulling out beautiful out of insecurity. So my inspiration could be insecurity….

The themes I chose are: a bat, a fairy. My suits’ names are: Batkim, Hornie (with many horns symbolizing my hurt feelings but also expressing my sexual desire as a woman, simulating the pronunciation ‘horny’.)

pink side insta 2
6-2.
6-4

BIO / I am 26 years old. I am modeling my own clothes I create. It is fun to realize imagery that I have in my head, it is quite fulfilling. I graduated from a fashion design school in Milan. I knew I wanted to design clothes since I was a child but I thought it would only be a hobby. When I hit 18, I figured maybe this could be the only thing that I ever wanted to do. As I grew up in Korea, I went to a fashion school in Korea but didn’t really like the education so I chose this one in Milan called ‘Naba’. I developed what was gonna be my brand as a graduation theme but I didn’t know if it was going to be an actual brand, I was a bit skeptical. But instead of being sad, I continued to make clothes again and again whenever I had time and take photos of them to upload on Instagram just to know what my friends think. I just didn’t look in the future, I made clothes in the present and as I could not get a model as I didn’t’ know many people in Milan, I just modeled them myself and it kinda became natural.

_DSC2757 4

Fashion designer / Kim aka Villain @__villainofficial

Lookbook Photo /

Photographer @ladislav_kyllar

Stylist @silvia_arsenie

MUA @honeymartina_mua

Fairy VALENTINE FAIRY EDITION // Photo by @benlives 

TV serie //  Photo @benlives

Did you like it?
Share it with your friends

You may also like

Georgian designer Lado Bokuchava, the founder of the eponymous fashion label, describes his upcoming Spring/Summer 2026 collection as “exploring the contrast between sophistication and unease”, among other things. In the interview with Lado, we went over finding femininity in unusual things, the timeless appeal of horror cinema, and the vision he wants to bring to our shared fashion ecosystem.
Fashion designer Alicia Gu weaves mythology from grief and renewal, creating garments that pulse with vulnerability and ceremonial power. Discover how childhood magic, ecological loss, and the death of the last unicorn shape her romantic approach to fashion as living storytelling in today's interview.
If you were to guess that the self-described “esoteric designer”, Stjorn Revali, behind the label Storrveldi, was profoundly influenced by Sergei Parajanov’s The Colour of Pomegranates, you would be right. Her garments are intricately made, sprinkled with iconographic imagery and symbolism, heavy cotton lace, and Eastern European nostalgia. With the designer, we talked about the right to demand authenticity, separating the want from the need, imbuing photoshoots with storytelling, and more.
“[My] pieces aren't about hiding the body; they’re about making the internal cosmic.” Fashion designer Layla Dian Jin’s generous, sometimes even sculptural silhouettes feature striking elements covered in gold foil against dark fabric, and browsing them feels like stumbling upon scattered golden nuggets in the dark sand of a cold stream. The designer sat down with us to talk perspective shifts, the silence of empty spaces, micro and macro scales, and more.