The Dance of Death, der Totentanz or Danse Macabre is a medieval motif that was meant to remind the audience of the fragility and transience of their lives. Russian-born illustrator and video artist Sonya the Moon understands this theme as something very present due to the global pandemic situation.
Join us on a hike to the round, pastel world of Barbora Idesova, the Prague-based illustrator originally from Košice, Slovakia. Barbora tells us about her inspirations and methods, throwing light on her signature style that blends nature and mythology into familiar, yet mysterious visual planes.
Liga Spunde, the Latvian digital illustrator and multimedia artist tells SWARM MAG about her creative process, inspirations and 2019 exhibition of her pointed, disconcerting takes on a post-internet aesthetic, interrogating the phenomenon of online hate culture and what lurks beneath.
Where does one draw the line between magical thinking and debilitating fixations? Accompanied by illustrative collages, Viktoriia Tymonova meditates on the connections between OCD, ritualism and the middle ages on a search for a “common ground between reality and fiction.”
With influences ranging from early board games to old school metal album covers, California-based visual artist Josh Freydkis conjures up images from a vivid and sinister fantasy world with a magic touch of playfulness and nostalgia.
“Loved clothes last.” Knit fashion designer Valeriya Olkhova leaves space for “accidents” and tweaks the hand-knitting machine's settings to put it out of its comfort zone to produce one-of-a-kind, raw apparel. Enjoy an exclusive SWARM Mag interview detailing her work, the post-pandemic fashion world or personal philosophies.
The soft, rounded illustrations of Serbian graphic designer Pavle Ćirić give the impression of fragile glass ornaments with a sheen of a soap-bubble-like iridescence. Two of the ones presented in the article were custom-made for the NEO-MEDIEVALISM theme.
The Bulgarian fashion brand Minoár crafts pieces of clothing that could be worn by a stylish nomadic nation from a parallel universe. They think of the outfits they design as a tangible reflection of one's inner perceptions and thought processes.
“[My sword] would be very beautiful but harmless because I hate violence.” French illustrator and handpoke tattoo artist Marie Besse lays before us her linear, spiky and prodding visions resembling prickly vines and sparkly fata morganas.
In an exclusive SWARM Mag interview, illustrator Julia Sayapina talks dream logic, the cultural significance of sharing tales in Russia, and introduces us to her series of graphic works dedicated to the female image in cinema and songwriting.