The Hotdog Man and the Thief of Distances

Combining intuitive lightness and material mastery, the Israeli-based duo of Merav Kamel and Halil Balabin open our new theme with their collaborative work. Along with touching on the benefits of their creative, organic process, we are provided with a peek into their recent project that in painting and sculpture provokes our pattern-seeking tendencies.

Merav Kamel and Halil Balabin are an artist duo that has been working together since 2012. They met at the Art Department at the Bezalel Academy of Art and Design in Jerusalem.

Their joint work allows them to move freely and make connections they would not have thought of on their own. It allows them to give up the elements identified within both to transform themselves through art, through resistance to habits and perceptions developed in solitary work. In addition, it cancels the masculine-feminine dichotomy of their works, and allows a fluid gender identity. There are moments in their joint work in which they each manage to leave their egos aside, give up on the individual narrative, and listen to the ego of the work itself. 

Then an ever-changing, androgynous being is formed, with the ability to play more than one character.

They spend a great deal of time in their studio, one might say they are art “addicts”. They are submerged in the minor details of their work, and this makes every move quite extensive and leads to a struggle between their flow of ideas and passions and a relatively slow pace of work.

They work in two separate areas of the studio and meet occasionally during the day to share a new revelation, frustrations, a work they have finished, or an exciting thought. Their mutual presence allows them to dialogue with a person each loves and appreciates, enabling a mutual fertilization.

The Hotdog Man and the Thief of Distances

‘The Hotdog Man and the Thief of Distances’ was exhibited in Artport Gallery in Tel Aviv in 2021, The exhibition consisted of two parts – a large painting and a group of wooden sculptures. 

The paintings are gathered into one unintentional, intuitive and continuous mural painting. It is a broken narrative, like doing a puzzle without knowing the final image. Each painting has lines that go beyond its paper, and only in the adjacent painting can you know its course. Our technique of infinite and continuous painting allows us to create numerous points of view that challenge the law of the “scientific” perspective. It aspires to be a realistic description, in the sense that it describes our overall experience of the world, like a scroll, a diorama, a Byzantine, Egyptian, Japanese or Persian painting before the invention of the linear perspective.

The painted figures blend with one another, flow from one thing to the next, object and subject blur, chaos against order. Our technique of engraving a soaked paper with watercolors requires high concentration and intuitive work, like a Zen drawing.

The Hot Dog Man and Distance Thief, 2020,Installation view, Artport Gallery, Tel Aviv photo by Lena Gomon (4)_

Each of the sculptured figures in the exhibition is a result of a slow and concentrated learning of what can and cannot be done with wood. The limitation of the material is a crucial starting point that offers options we would have never considered. The failures and faults in the process are those which brought the most remarkable results. These figures have an archetype feature, referring to the past, to myths and familiar images from different cultures, corresponding with the history of wooden sculpture.

 At one end is the Hotdog Man, a storyteller, a teacher, a Guru, discharging an endless chain of hotdogs into a whole on the stage, eating or shitting them, like stories he gets out of his mouth. He is sitting in a meditative posture, maybe giving a lesson. Across from him there is an array of figures waiting for him to speak, watching, listening, maybe waiting for salvation, some dedicated, others opposed, criticizing.

The Hot Dog Man and Distance Thief, 2020,Installation view, Artport Gallery, Tel Aviv photo by Lena Gomon (4)
Did you like it?
Share it with your friends


Merav Kamel (born in 1988, Israel) and Halil Balabin (born in 1987, Israel) live and work in Tel Aviv. Both have received their BFAs from the Bezalel Academy of Art and Design Jerusalem (Kamel in 2012, Balabin in 2014). Their works have been exhibited in numerous solo and group exhibitions including: Buchum Museum, Germany; Brno House of Art, Czech Republic; Prague Pram Gallery, Czech Republic; PM Gallery, Dusseldorf; Circle 1 Gallery, Berlin; Untitled art fair, Miami; Israel Museum, Jerusalem; Tel Aviv Museum; Bat Yam Museum; Dada Museum, Ein Hod; Herzliya Museum; Artport Gallery; Ha’Kibbutz Gallery, Tel Aviv; Givon Gallery, Tel Aviv; Basis Gallery, Herzliya; Inga Gallery, Tel Aviv; among many other venues. Their works are included in a number of public and private collections, such as the Tel Aviv Museum of Art; the Israel Museum, Jerusalem; the Philara collection; the Carry and Dan Bronner collection; the Discount Bank collection; the Roni and Allen Baharaff collection; the Shoken collection; the Ann and Ari Rosenblatt collection; the Dubi Shiff collection and other private ones. Both have been awarded the Beatrice S. Kolliner Award for Young Israeli Artists, Israel Museum, Israel Ministry of Culture, Young Artist Award (Kamel in 2018, Balabin on 2016); Artis Grant for Exceptional Work in Uncertain Times; the “Elhanani” Prize from Bezalel Academy of Art; America – Israel Cultural Foundation Award for extraordinary artistic achievement.


Artworks / Merav Kamel and Halil Balabin @merav_and_halil

You may also like

The garden as a symbol of life and death, a cycle that is taking on increasingly gloomy contours in the context of the environmental crisis. Slovak artist Kristína Bukovčáková paints the reality she experiences every day in her real and imaginary garden. It is hard not to sympathise with the protagonists of her toxic paintings, which will appear at the Livebid Originals contemporary art auction in November. How will it all turn out in Christina's garden in the end?
Adamant Country is the story of a mandorla, guarding an egg. This sacred space is fertile ground for the interplay of archetypes, meanings, and cosmic cycles. Enter the world of Czech artist Petra Janda, the laureate of the Jindřich Chalupecký Award, as she weaves you into her intimate landscape.
At first glance, Iva Davidová’s paintings invite into a soft, ethereal dreamscape. Deeper under the surface however lies an exploration of societal paradoxes which have long prevented solidarity and compassion. Explore the Czech artist’s poetic works accompanied by unique personal insight.
“Always a combination of a material and a problem.” Via a captivating interview, Natalia Kopytko invites us to explore her world of childhood archeology, social exclusion and forgotten stories, whether manifested through ceramic sculptures reminiscent of knotted seaweed or installations of stuffed textile organic shapes spilling over into space.