Markéta Kosinová

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Can our memory be corrupted by art and should the viewer take bigger responsibility for how they perceive said art? Michele Gabriele's distinctive artworks try to feel the borders of the gap between the art piece and the perception of the ones that observe it.
When you encounter the vibrant, mesmerizing audiovisual works of Czech artist Jan Matýsek, which often accompany his immersive tongue-in-cheek installations, you feel immediately drawn in as if by ritualistic incantations intended to put you on the cusp of an almost trance-like state.
Enter Heim Group, the fashion and visual designer brand, and their recent collection concept oscillating between the sacred and blasphemous. “...Angels chirping, they whispered that a person is able to rise to the level of god only when the devil overcomes them.” Strap up and step in, for the divine may yet be the future.
The objects Audrey Large crafts carry an ever-evolving aspect and aim to challenge our perception of surfaces. Exclusively for SWARM Mag, the French, Rotterdam-based artist wrote a series of in-depth insights about her most loved and intricate bodies of work, heavily influenced by American researcher Jane Bennet who centers her investigations around “vibrating matter”.
SWARM MAG and selected Portuguese visual artists came together to create the latest edition of the Lobster Scarf Collection, this time on the topic of Future Forecasting. Delve into the collaborative project’s motivations, perspectives and inspirations along with interviews with the involved artists. Stay warm and keep the future fun!
Hello wanderer, you've stumbled upon the Gooniverse. Feel free to enjoy your presence here despite (or thanks to) your confusion – this world wasn't made to make sense to you. You're welcomed to soak up Balfua's wildly intricate and layered artistic vision.
Reminiscent of 80s video-game worlds full of ultraviolence and tech-obsessed, metal- and leather-clad villains and villainesses, Pol-Edouard's illustrations will envelop your senses with a dizzying, flashy and almost tribalistic feel.
Is circular fashion still a hard-to-attain niche or are designers slowly inching towards it as a viable modus operandi? German Bea Brücker has spent several years incorporating bio-design and sustainability into her collections while challenging the exploitative nature of the fashion industry. Enjoy a short interview below.
Digital artist Olia Svetlanova mostly deals with body- and face-hugging accessories and suits that seem to inseparably stick to or maybe even grow on their wearer. They range in appearance from shapes of stringy, sharp, smelted metals to oozing, organic and jelly-like forms with a seeming life of their own. Enjoy a mini interview with the artist below.
Indonesian fashion designer living in Switzerland going by the alias Yohanes Yohanes unapologetically unleashes eruptions of colours on our unsuspecting world, the latest occasion being his KAWAH IJEN # 21 collection. The eco-conscious pieces inspired by volcanic processes carry a striking handicraft texture.
It is with great pleasure that we are introducing the next theme for the upcoming three months. FUTURE FORECASTING will delve into fringe notions on the outskirts of our reality, which are bound to become mainstream. The incredible accompanying animation was custom-made for SWARM Mag by French artist Guillaume Legoux.
What if there was a b-day celebration you couldn't leave… nor did you care to? We are immensely proud to present our freshest editorial to date in collaboration with Czech talents Shotby.us and Creative Embassy. The Endless Visit follows several partygoers caught in a web of flashy, vivid, slow-moving timelessness set in an opulent garden. How many days has it been? Does anyone know? Does anyone care?
Izraeli photographer and graphic designer Omer Ga'ash creates digitally manipulated composites that treat “the place and the body as a symbiotic system.” Omer's ten-year experience with professional dancing visibly reflects in his work, via a nearly tangible understanding of the possibilities and limits of the body.
Prague’s very own Olbram Pavlíček turns everyday objects and places into zones of intimate reflection. In his site-specific installation KORPSEPUNX he juxtaposed ergonomics and discomfort, the mundane and the aesthetic, and in this interview he even divulges the social implications of non-invasive body modifications.
Swiss photographer Roger Weiss manipulates our stereotypical perception of bodily beauty via unusual angles and digital distortion to create sculptural, clay-like figures with accentuated and distorted extremities that invite us to untangle and sort them out in our mind. With all redundancy and personality removed, Weiss sees the flesh revert to its ancient raw symbolism.
Jesse May Fisher employs the moving image and photography for the exploration of madness in her family history. In this interview she provides us with the interpretive context for her project Milk Fever (a folk term for post-natal depression) and touches on the questions of the body, femininity and herbal medicine passed down through generations.
Text by Alexander Lepianka captures the essence of Alexander Fahima’s audiovisual piece, The Rules of Attraction, which is a free-flowing series of real-time interactions, improvised snippets, and bodies. The use of a party as a medium sets the stage for opéra concrète – an amalgam of performance, livestream and excerpts from the libretto of Wagner's opera.
“I think we should all be asking questions we know we will never have the answers to, because thinking about them gets you as close to the truth as possible.” The Adelaide-based photographer Joseph Häxan tells us about his fascination with biological processes, nature and the photographic medium.
Based on the story of Adam and Eve, “nakedness became sinful the very moment it was first observed.” Latvian sculptor Miķelis Mūrnieks forged unyielding metal frames filled with malleable polyurethane foam, revealing abstract female nudes, intended to defy the male gaze – but can a male author achieve that?
Lotus Wash, aka David Herzig, is a prominent force on Prague’s music scene. Apart from working with Bert and Friends, Never Sol and Oliver Torr, among others, he is known for his captivating live modular synthesizer sets. He has recently released his debut album Field Theory on LBD Sounds, and in this interview he tells us about the debut release, his history with music, and creativity during pandemic times.