Izraeli photographer and graphic designer Omer Ga'ash creates digitally manipulated composites that treat “the place and the body as a symbiotic system.” Omer's ten-year experience with professional dancing visibly reflects in his work, via a nearly tangible understanding of the possibilities and limits of the body.
omer uvodka

What role do architecture and bodies play in your work? How do you choose the places in your photos?

The range of locations and type of architecture I find suitable for my photography varies in many ways. It can be a grandiose scene with a huge landscape or a very small detail with a clean graphic side to it. I mainly try to find the balance between bodies that can appear small in a big landscape and so I choose the environment I know I can “conquer” as a whole. That will both compliment the body and the environment. Clean lines are important to me, the composition layers can be separated by depth or quite flat but I still look for the clean shapes to pop out. Concrete brutalist architecture is my go-to but nature and abandoned buildings with long history can tell a beautiful story just as well.

OmerGaash_Immersive sculptures_3

Since our current theme is titled HEAVENLY BODIES, how do you perceive the importance of the body within contemporary society and art? How important is the body to you?

I feel it is more and more important to explore new territories, I admit it scares me a bit as I want to be able to represent both the place, my art, and the model in the best way I see fit. Sometimes, I tend to choose the easy way out, so to speak, through people with the ability to move, dance, and express themselves with their body. I feel this has changed in the past couple of years and now I’m working with different types of bodies to describe different environments. That is mainly a sign for me that I have been consistent with my research. I also moved to London more than a year ago, which brought me new opportunities with new talented and amazing people from different communities – something I know will only get wider and bigger the more I will keep on creating there. I find it important for the models to have abilities as I direct in a way that needs to fit the place, it’s not a portrait, we are vassals in a bigger and, hopefully, timeless, story.

OmerGaash_Immersive sculptures_6
OmerGaash_Immersive sculptures_8

BIO / London-based Izraeli photographer and graphic designer Omer Ga’ash graduated from Bezalel Academy of Art and Design, Jerusalem, with a B.A. in visual communication. He is currently studying for his M.A. in Design Expanded Practice at Goldsmiths University of London, focusing on fine art photography. Omer creates patterns from human bodies, addressing them as shapes, and digitally manipulates the elements to form what he calls Nude Texture. Moreover, Gaash creates surrealistic photos by multiplying and adjusting the pictured human model to tell a story of a place and moment in a unique way. Omer danced for almost ten years, competed in Ballroom dancing competitions and some modern styles, giving him an inside understanding of the body and its abilities. He also studied architecture in high school, which also strongly drives his current visual aesthetic.

OmerGaash_Immersive sculptures_5
OmerGaash_Immersive sculptures_7


Photography / Omer Gaash @omergaash

Did you like it?
Share it with your friends

You may also like

The Netherlands-based Ukrainian photographer Alex Blanco is a seasoned visual storyteller. Her 2016-2019 project is a utopian rendering of her parents in their home city of Odessa, “where the real overlaps with the surreal and everyone was born to shine”. Holding true to this notion, she created intimate and atmospheric shots that helped her reconnect with her family.
1989. China. Czechoslovakia. One meeting place – Moscow. Linda Zhengová’s photo series captures the artist’s complicated family history. Be it living under different communist regimes thousands of kilometers apart, the inherent cultural differences, or even their eventual separation, the KULISHEK series create an intimate narrative of a family forged and fragmented in a globalizing world.
What if there was a b-day celebration you couldn't leave… nor did you care to? We are immensely proud to present our freshest editorial to date in collaboration with Czech talents and Creative Embassy. The Endless Visit follows several partygoers caught in a web of flashy, vivid, slow-moving timelessness set in an opulent garden. How many days has it been? Does anyone know? Does anyone care?
Prague’s very own Olbram Pavlíček turns everyday objects and places into zones of intimate reflection. In his site-specific installation KORPSEPUNX he juxtaposed ergonomics and discomfort, the mundane and the aesthetic, and in this interview he even divulges the social implications of non-invasive body modifications.