THE OBJECTS ARE NOT PERSONAL

If black metal were a landscape, it would manifest through the works of Russian artist Vladimir Omutov. His objects and sculptural works are distinguishable and noticeable mainly thanks to dark organic shapes that feel constantly fluid and pliable, reminiscent of dripping tar.
omutov 2

WORDS BY THE AUTHOR

The STRATUM exhibition (2020) / The implicit brightness continues to spread, which needs to be seen. The project combines artificial and synthetic materials, sterile and organic forms. Objects are not personal. Everything is designed. Not completely artificial, not completely organic. They resemble trophies obtained through seizure or found at spawn points. The exposed objects are in a state of rest and observation. There is a combination of associations with the rest of the freedom of interpretation. Photoshop layers, rocks, road patch stripes and runway lines, forest fire residues. The most important thing is shape and distance for objects. Independence and dispassion. Ideas of exclusion, alienation, conformity and entropy are part of an art form. At the same time, the sculptural practice, which is based on traditional studio methods of artistic production, directly responds to all the complexity, collection methods, design of exhibitions, excluding the use of individual works. Total black is presented in many of its shades.

1600
1800
mhh
678678876
wfe

The DeFRaG(q)- blocks (2020) exhibition / The project explores a “technical skill improvement” that builds movement in the playing space. It demonstrates the ability of digital technology to create a dissonential space in the form of new subjective realities. The process of creating alternative history and personal stories takes place on top of the prescribed structure of the game narrative and game physics. It separates the risk of getting into a trivial operation. A new environment is being created, a closed and self-sufficient biosphere. The environment is filled with recursion and contractions. The environment uses a new, atypical “non-violent motivation” as a guide. This closed isolated system strategy identifies topographic and logical errors. Elements begin to fall out, forcing the viewer to think about the underlying structures and signs. But these signs ultimately break and decay in isolation. The ideas of exclusion, alienation, conformity, and entropy are told as artistic forms.

7F4A8553
7F4A8552
Vladimir Omutov_cv2020
29
7F4A8558

«Speedcore»2018

крас 2
8
Vladimir Omutov_cv2020
IMG_4818
Vladimir Omutov_cv2020fgrf

OTHER ARTWORKS

_38_MG_3304
IMG_2252
_37_MG_3302

BIO / Graphic designer, sculptor and object designer Vladimir Omutov was born in Krasnodar, Russia, in 1992. He graduated from the KUBSU’s Faculty of Arts in 2016 and periodically continues showcasing his work via solo and group exhibitions, a practice started already during his studies. Vladimir now lives and works in Moscow, the capital of Russia.

_07_MG_3225
_08_MG_3239
5 “quasar optionstarvation.SS20” by Vladimir Omutov

ARTWORKS / VLADIMIR OMUTOV @omutov.cc

Did you like it?
Share it with your friends

You may also like

“I pull the symbolic scalp of their face. Then after modifications, I put it on”. Zbiok Czajkowski captures the shells and masks of people who were by chance caught in old photographs, and in his recent series “Scalps” he perfects his method with his mastery of airbrush. Read today’s interview to find out what lies beneath the surface.
Patrycia Pietka’s oil paintings dive into the intersections of spirituality, folklore, and female energy. Beyond her masterful form, the Polish artist, inspired by magical-realist and surrealist cinema, uses her works to capture the fleeting beauty of loved ones who passed away. Read today’s interview to learn about her process, inspirations and plans for the future.
Amy Dury turns vintage photography into contemporary art pieces. Taking inspiration from the troves of human archives both analogue and digital, the acclaimed British painter employs her signature bold contrasts to create works that balance a calming nostalgia with unsettling undertones. Read today’s extended interview to learn about Amy’s creative process, influences, and views on the art world!
“When working on matter, you work on yourself.” Influenced by alchemy, religion, and psychology, Eliott Gamer’s animations and tattoo art are his favorite tool for introspection. Enter his world and let his work with the human body illuminate your journey to the center of the labyrinth inside.