Eastern Slovak traditions meet political commentary – in fire.
Screen Shot 2020-02-17 at 09.35.51
Celebrating Dominance of Mankind on Earth, 125 x 90 cm, pyrography on plywood, wood stains, 2019

An interview with the talented Slovak artist duo Jarmila Mitríková & Dávid Demjanovič.

Do you work on any new projects at the moment?

As of now, we’re working on a new series of glazed ceramic sculptures with the working title ‘Mythology of the Atom Age / Tatra Futurism’ that will thematically touch on superstitions, tradition, religiousness, spirituality, mysticism and their interaction with political ideologies of the 20th century in our geopolitical space. The art objects’ morphology will be a fusion of folk forms and modernist stylisation. 

What was the starting point for choosing the topic of folklore or folk myths and the long-term collaboration with David Demjanovic?

At the very beginning, there were summer holidays and curiosity regarding us two working on a mutual artwork. It went surprisingly well so we started looking for thematic intersections in our previous work and, at the same time, started to develop the project with regard to the chosen technique of pyrography – which clearly pointed towards vernacular art and folklore.

 What’s the main topic that links your artworks together and what other techniques do you use?

Theme-wise, we range in intentions from folk art and religious studies to ethnography. We’re intrigued by mythologies – religious, political, historic. While processing them, it’s characteristic for us to use creative mystification and hyperbole. At first, we burned our images onto wood (which we still do), after that, we started to colourize them with increasing intensity, assemble them into installations and then we added video art and ceramics.

¨ert, 120 x 170 cm, pyrografia na preglejke, kolorovan† laz£rami na drevo, 2017
HubovÏ trpasl°k, 172 x 132 cm, pyrografia na preglejke, kolorovan† laz£rami na drevo, 2018
Lun†rny kult, 240 x 170 cm, pyrografia na preglejke, kolorovan† laz£rami na drevo,2018
Distillation of Revolutionary Beard Growth Elixir, 125 x 160 cm, pyrography on plywood, coloured with wood stains, 2017 Destil†cia elix°ru spìsobuj£ceho rast revolucion†rskej brady, 125 x 145 cm, 2017
Model, 120 x 105 cm, pyrografia na preglejke, kolorovan† laz£rami na drevo, 2016
At the lake, 88 x 125 cm, pyrography on plywood, coloured with wood stains, 2014
Mountain Hotel, 80 x 60 cm, pyrography on plywood, wood stains, 2019
Zbieranie materi†lu na hrobe obesenca pre okultistickÏ kr£ßok, 120 x 85 cm, pyrografia na preglejke, kolorovan† laz£rami na drevo, 2015
Dar vodcovi, 120 x 85 cm, pyrografia na preglejke, kolorovan† laz£rami na drevo, 2015

How is your birthplace projected into your work?

Our work is closely tied mainly to our cultural and geopolitical region with the Tatry mountain range at its heart. We both come from eastern Slovakia where we returned after more than 10 years. The cultural background, traditions but also the nature of this area is still a great inspiration for us.

Your collaborative work mostly refers to folklore, history and national traditions – what is your favourite Slavic fable, myth or fairytale? 

What I find the most interesting are probably the stories of revenants, the returning dead, that stem from the vampirism belief. There were burial practices carried out in eastern Slovakia as far as the 20th century that were supposed to stop this from happening. Also, the fables of the devil demons, water goblins, marsh fairies, witches and strigas.


Is the current political situation in Slovakia or the Czech Republic mirrored in your artworks?

We look for inspiration mainly in the past and we often create our own alternative versions, these kinds of “what if” scenarios. The human character didn’t really change throughout history, some archetypes still exist today.

Do you personally adhere to some national traditions or holidays? And are there some you consider inappropriate for this day and age?

At home, we practically only realize some rituals and customs connected to Christmas. But we love to go see displays of practices from the past, namely some traditional celebrations such as mardi gras, harvest feasts, etc.

Where do you draw inspiration for your upcoming work?

By travelling the regions, reading books, at libraries and secondhand bookshops. At the moment, my daughter is a huge inspiration because she teaches me to perceive the world and art with more playfulness.

Lietaj£ci kme II, 120 x 82 cm, pyrografia na preglejke, kolorovan† laz£rami na drevo, 2016
VeünÏ oheÂ, 127,5 x 85 cm, pyrografia na preglejke, kolorovan† laz£rami na drevo, 2015
Lepenie kameÂov ßivicou na strom, vÏÁka 32 cm, polychromovan† keramika, 2015
Stavanie Moreny, vÏÁka 47 cm, polychromovan† keramika, 2015
Hadobijec, 41 cm, polychromovan† keramika, 2015
muchotr†vka, vÏÁka 43 cm, 2015

BIO / Slovak artist duo Jarmila Mitríková (1986) & Dávid Demjanovič (1985) works with traditional technique of pyrography, burning motives into plywood, colouring them with wood stains. They use a technique of pyrography as a reference to a folk amateur art. Technique of pyrography was popular among people during socialism in former Czechoslovakia. They also create glazed or polychromed figurative ceramic sculptures. In their hybrid style you can see Christian traditions, folklorism, pagan rituals, superstitions, myths, local legends with links to WWII and socialistic history. Their works are among private collections, also in collection of Slovak National Gallery and other public museums. They live and work in Prague and Košice.

Artwork / Jarmila Mitríková & Dávid Demjanovič
Interview / Markéta Kosinová
Translation / Františka Blažková

Did you like it?
Share it with your friends
Share on facebook
Share on twitter
Share on email

You may also like

1989. China. Czechoslovakia. One meeting place – Moscow. Linda Zhengová’s photo series captures the artist’s complicated family history. Be it living under different communist regimes thousands of kilometers apart, the inherent cultural differences, or even their eventual separation, the KULISHEK series create an intimate narrative of a family forged and fragmented in a globalizing world.
Jean-Baptiste Janisset opens our Family Business theme with idiosyncratic sculptural compositions of the divine. The Holy Mothers in mother-of-pearl are dissolved and reimagined into new affects as “there is no more total form, identifiable or assignable, only this infinite swarming of symbols,” as Ingrid Luquet-Gad elucidates in the accompanying texts.
“Love is a biological weapon that bodies make to survive extinction and evolution.” 3D creator Lolita 111000, the first Spanish artist to be represented by a digital avatar, breathes life into trans-species creatures that reflect her deep adoration of non-human animals. Her work is inspired by posthumanism, biology, and friends. Enjoy an interview drenched in 'chaotic good' energy.
In the atmospheres of Jimmy Beauquesne’s artworks, there reside fantasies of the natural world, celebrities, and entities beyond language or reason. Let the French artist’s words and images in today’s interview mesmerize you into a dreamy sense of longing.