Františka Blažková

Art-curatorial project Is It Just a Myth? moves across physical and virtual landscapes. The visitor experiences an encounter with the work and untouched nature through the flat screen of their device. Via these means, curator Bára Čápová is looking for new ways of creating and presenting art at the border between online and physical interfaces.

“Everyone should have beauty. Everyone should have access to beauty.” Chances are you have never seen anything like Nina Sivager's embroidered and tapestry-infused concrete house banners and decorative tiles, which manufacturing process was inspired by medieval handicraft.

The year's end is nearing and with it a fourth theme to complete the cycle appears. Here you'll find your introduction to FRONT RUNNER. You'll meet FRONT RUNNER on our website from 21st October 30th December.

A contemplative piece by Barbora Čápová outlines the future of the environment in which we display artworks and why we’ll never get rid of physical galleries. Accompanied by thematic illustrations by Rafał Kwiczor.

Like a quilting thread, the concept of heritage is sewn into the core of fashion designer Michaela Čapková’s works, which often stem from a reflection of inspiring personas.

Painter, musician and a resident Prague party vampire Jan Vytiska constructs a world where folk costumes, corpses, farmer's wives, hanging eyeballs, hairy-faced girls and general decay make acquaintance.

Would the village animals love to partake in folklore festivities they've seen with their human counterparts? Mária Gloza's paintings have the answer.

From grain to linen, the creators of the Ukraine-based Para Platform create handmade futuristic garments from organic materials with an unwavering belief that the respect for and the worship of Nature and her creations will, again, come into mainstream fashion.

A voluminous photographic collection by Václav Jirásek documents the workers, interiors and monumentality of decaying, perishing and abandoned Czech and Moravian metallurgic works.

Creating under the moniker of Alice Hualice, the artist mirrors the land, its history and scarce inhabitants in mesmerizing, intentionally under-elaborate textile objects.