BODY BATTLEGROUND

In a series of vibrant photographic prints and GIF files arranged in a collage fashion, artist Ewa Doroszenko draws attention to the thin line between using social media filters and other digital tweaks to our appearance as a form of entertainment, and (subconsciously) yielding to beauty standards feminine-presenting humans were socialized to value.
ewa uvodka

The project was inspired by the failures and bugs in the popular beauty apps where natural bodies get distorted. While the Internet can seem like a place disconnected from the physical world, much of the activity that occurs there deeply affects how we feel outside of it. In the age of social media, technology provides women with tools that allow them to quickly create dream digital images of themselves. Using various beauty applications, they can smooth, contour their faces, whiten their teeth, add a few centimeters of height, enlarge their eyes, choose different mouths, and use many other options.

01_ewa_doroszenko_body_editor
02_ewa_doroszenko_body_editor
03_ewa_doroszenko_body_editor

Digitally edited images can serve as aspirational fantasies and, occasionally, they even can have a positive impact – when they are just effects of joyful entertainment. But can the game in which your body is a battleground be truly enjoyable? The phrase from Barbara Kruger’s iconic work has just as much resonance today as it did more than a quarter of a century ago.

04_ewa_doroszenko_body_editor
05_ewa_doroszenko_body_editor
06_ewa_doroszenko_body_editor

While preparing the project, I used photography as the starting point alongside digital tools to create an expressive project that is both a critique and a celebration of the ongoing progress in contemporary technology and culture. I employed many methods of creating images: preparing three-dimensional collages constructed from free stock images and my portraits, photographing the scenes, printing in large sizes, physically manipulating prints, and digitally editing selected photos. In the final work, I tried to leave visible traces of digital processing, partly revealing my working methods to provoke discussion about contemporary photography.

07_ewa_doroszenko_body_editor
08_ewa_doroszenko_body_editor
09_ewa_doroszenko_body_editor
ewadoroszenko_bodyeditor_touch04

ABOUT ARTIST

Ewa Doroszenko is a Warsaw-based artist whose creative practice employs a mixture of painting, photography and digital media. She earned a Doctor of Fine Arts degree from the Nicolaus Copernicus University in Torun. In her current works, she deals with contemporary issues, especially the meaning of the image in technological reality and the fluidity of feminine beauty standards. Doroszenko is a scholarship holder from the Minister of Culture and National Heritage of the Republic of Poland (2019) and a winner of many international competitions, including Competition for the Fait Gallery (2016); Young Lynxes Portfolio Competition – Contemporary Lynx (2018); DEBUTS 2018 – doc! photo magazine (2018); Debut – Lithuanian Photographers Association (2018). Ewa Doroszenko presented her works in numerous venues, among others: Centre of Contemporary Art in Torun, Historic Centre of Athens, Vilnius Photography Gallery, MAH – Museum of Angra do Heroismo on the Azores, Goldcorp Centre for the Arts in Vancouver, Fait Gallery in Brno, Exgirlfriend Gallery in Berlin, FIESP Cultural Center – Ruth Cardoso in Sao Paulo.

10_ewa_doroszenko_body_editor
11_ewa_doroszenko_body_editor
12_ewa_doroszenko_body_editor

CREDITS

Artwork / Ewa Doroszenko 

Body Editor is an ongoing photographic project, check it out in full here: http://ewa-doroszenko.com/bodyeditor

IG / www.instagram.com/ewadoroszenko

Did you like it?
Share it with your friends
Share on facebook
Share on twitter
Share on email

You may also like

1989. China. Czechoslovakia. One meeting place – Moscow. Linda Zhengová’s photo series captures the artist’s complicated family history. Be it living under different communist regimes thousands of kilometers apart, the inherent cultural differences, or even their eventual separation, the KULISHEK series create an intimate narrative of a family forged and fragmented in a globalizing world.
Jean-Baptiste Janisset opens our Family Business theme with idiosyncratic sculptural compositions of the divine. The Holy Mothers in mother-of-pearl are dissolved and reimagined into new affects as “there is no more total form, identifiable or assignable, only this infinite swarming of symbols,” as Ingrid Luquet-Gad elucidates in the accompanying texts.
“Love is a biological weapon that bodies make to survive extinction and evolution.” 3D creator Lolita 111000, the first Spanish artist to be represented by a digital avatar, breathes life into trans-species creatures that reflect her deep adoration of non-human animals. Her work is inspired by posthumanism, biology, and friends. Enjoy an interview drenched in 'chaotic good' energy.
In the atmospheres of Jimmy Beauquesne’s artworks, there reside fantasies of the natural world, celebrities, and entities beyond language or reason. Let the French artist’s words and images in today’s interview mesmerize you into a dreamy sense of longing.