Desires incompatible with a conservative society take on a unique form in Dae uk Kim’s artworks, expressing his yearning for beautification through the creation of “mutant” furniture and utile objects. Dive into today’s interview to explore the fascinating facets of his creative process!

“Mutant” aims to fulfill, explain, and show the creator’s desires and dreams that have met obstructions due to societal expectations of his gender.

Growing up in Korea, Dae always felt as if he was a mutant, an aberration from the heterosexual norm. He decided to turn shame into pride, by making mutants that proudly display his hitherto secret desires. As a man, he always felt inferior in terms of beautification. So when he designed these mutant objects, he represented himself with objects that are usually considered uninteresting and inferior, and mutated them into ones that are grandiose and superior to encourage people to consider the implicit boundaries around gender that exist in different cultures and societies around the world.


SIRI, ELEKTRA and JENNIE show my desire for wearing high heels. Elektra and Siri are chairs, and Jennie is a console whose tires mutated into a chair or console wearing high heels. The tires represent my feet which are always stuck to the ground. And the tires wear high heels. High heels are objects that not only make people taller, but also add confidence and elegance. They then turn into a chair, which not only supports a person’s body, but also shows high status and power.




GAGA shows my desire to play with long hair. Mops mutated into a chandelier by extending their hair and decorating it. The mop represents the short hair which I was always forced to have in Korean society (throughout middle school, high school and military service). Here the mops extend their hair and decorate it to escape the fate of cleaning the dirty floor and are gorgeous like the fancy chandelier above.


BOM shows my desire for nail art. Shovels mutated into a mirror with extending, polishing and deco-rating their nails. The shovels represent my nails, which are always just short, clean, and ready to work. The shovels have nail art. Nail art, which makes them lose their function to work efficiently but creates a new function, through being observed in their beautiful decoration and sculpting, providing pleasure. Then, they turn into a mirror that represents self-reflection, desire, and satisfaction.

Did you like it?
Share it with your friends


Dae uk Kim is an object maker who sculpts his desires and dreams, and a storyteller. Dae graduated in 2020 from the Eindhoven Design Academy with an MA in Contextual Design. During his studies, Dae experimented with the limitations he experienced in his life regarding his gender and identity. He likes to use objects as alter egos and proxies, allowing him to do what he can’t in real life. Through objects and visual communication, he discusses the framework of normality cultivated by modern and rational society, trying to satisfy the deepest wishes and fantasies that people cannot openly express nowadays.


Artworks by Dae uk Kim

GAGA, BOM, ELEKTRA, JENNIE / photo by Pierre Castignola

SIRI / photo by Koen de Bruyn

You may also like

The fairytale-hued world of Slovak painter and visual artist Anna Štefanovičová is occupied by peculiar denizens – marionettes in endless variations. Inspired by the deep-rooted tradition of Bohemian puppet makers and her earliest terrifying childhood memory, Anna aims to work through discomfort, which she perceives as cathartic.
Erica Eyres explores in her artworks the vulnerability of nudity and uncomfortable familiarity. Drawing from inspirations spanning old magazines and grocery store objects, the Glasgow-based Canadian artist then creates open-ended pieces that invite the spectator to create their own narrative. Read today’s interview to learn about Erica’s creative approach and her recent turn to ceramics.
French painter Théo Viardin’s works imagine a world where the only certainty is physical proximity between human bodies. Such a liminal space enables a reflection of the narratives and discourses that led there, and perhaps even how our contemporary life requires radically new imaginations and the questioning of certainties.
“A kiss still feels different from the inside of an oyster.” Robert Brambora's multidisciplinary works aim to infiltrate our minds with disembodied sensory experiences, questioning of the nature of relationships, and squishy feelings of titillating unease, as he uncovers in the interview below.