MIRROR GAZING

Anna Degnbol presents a collection of works, reminiscent of post-war austerity posters from an alternative universe, alien catwalk, and Americana tattoo shading and colouring techniques.
anna_uvodka

“This series of illustrations bears the working title “Mirror Gazing” and it’s been a way for me to explore identity and visions of self through the past year. I draw this alien-like tribe inspired by people I meet in real life and online. I try to let them exist in a world where gender, sexuality and identity is a more fluid thing. I’m inspired by how people create or support their sense of self by the way they dress, interact and position themselves in the world,” Anna comments on her works.

10small
15small
12small
06smalll
05small
11small
02small
08small
04small
09small
03small

ABOUT / Anna Degnbol is an illustrator and comic artist from Copenhagen, Denmark. She does a little bit of animation and graphic design as well. Her work revolves around visual storytelling and conveying moods and atmospheres. She’s currently doing a Master’s in Graphic Communication Design.

Artwork & Text / Anna Degnbol

Did you like it?
Share it with your friends

You may also like

Czech glass artist Anna Jožová transforms molten glass into synthetic paradises that question our curated relationship with nature. In today's interview, you will learn how New Zealand's wild landscapes awakened her practice, and why her artificial Eden might be more unsettling than darkness itself.
Brace yourselves, the cultural highlight of the Prague autumn season is on. The iconic and boundary-smashing Lunchmeat Festival just launched in Prague and, as with every edition, we plan to savour everything it has to offer – and invite you along for the ride. The festival’s entire programming runs between September 22 and 28.
Giusy Amoroso, also known as Marigoldff, is an Italian artist currently living and working in Berlin. Her singular work encompasses immersive media, 3D sculpting and animation, VR, and XR, and her creations feel like creatures that would be right at home in the Primordial Soup Hypothesis. Enjoy the extensive interview with the artist below, where we talk about shifting meanings, deep sea fascination, sculpting hidden reality, and “the beauty in the unfamiliar”.
Polish artist Marta Antoniak transforms plastic debris from 1990s capitalism into seductive yet dangerous surfaces, where childhood toys and shattered Christmas baubles become archaeological evidence of transformation. In today’s interview, you’ll get to discover how Marta paints with objects rather than pigments, creating works that sparkle with both promise and threat.