Barbora Čápová

The garden as a symbol of life and death, a cycle that is taking on increasingly gloomy contours in the context of the environmental crisis. Slovak artist Kristína Bukovčáková paints the reality she experiences every day in her real and imaginary garden. It is hard not to sympathise with the protagonists of her toxic paintings, which will appear at the Livebid Originals contemporary art auction in November. How will it all turn out in Christina's garden in the end?

There are only two scenarios for the future. In his philosophical essay, Becoming a Nuclear Ghost (Notes on the Non-Existence of Utopia), on the basis of postapocalyptic pop-culture visions, Martin Charvát constructs the outermost possibilities of social existence. Illustrated by Dominik Turan.

Custom-written for our current theme FULL OF DESIRE, Czech author Zuzana Trachtová presents a string of associative vignettes offering a glimpse into a heart-rending and organic trudge through a body and mind ravaged by heartbreak. Accompanied by illustrations by Eva Maceková. HE'S A DRUG, I'M A WITCH

What do a flock of starlings and generative design have in common? Why does chaotic movement fascinate and unsettle us at the same time? And how can we tell if we're watching a real video or a screensaver? In her article, Bára Čápová reflects on the similarities between the natural movement of animal flocks and herds and algorithmic digital images. Illustrations for the article were created by Jakub Bachorík.