TO FURNISH A SOUL

Desires incompatible with a conservative society take on a unique form in Dae uk Kim’s artworks, expressing his yearning for beautification through the creation of “mutant” furniture and utile objects. Dive into today’s interview to explore the fascinating facets of his creative process!

“Mutant” aims to fulfill, explain, and show the creator’s desires and dreams that have met obstructions due to societal expectations of his gender.

Growing up in Korea, Dae always felt as if he was a mutant, an aberration from the heterosexual norm. He decided to turn shame into pride, by making mutants that proudly display his hitherto secret desires. As a man, he always felt inferior in terms of beautification. So when he designed these mutant objects, he represented himself with objects that are usually considered uninteresting and inferior, and mutated them into ones that are grandiose and superior to encourage people to consider the implicit boundaries around gender that exist in different cultures and societies around the world.

SIRI

SIRI, ELEKTRA and JENNIE show my desire for wearing high heels. Elektra and Siri are chairs, and Jennie is a console whose tires mutated into a chair or console wearing high heels. The tires represent my feet which are always stuck to the ground. And the tires wear high heels. High heels are objects that not only make people taller, but also add confidence and elegance. They then turn into a chair, which not only supports a person’s body, but also shows high status and power.

ELEKTRA

JENNIE

GAGA

GAGA shows my desire to play with long hair. Mops mutated into a chandelier by extending their hair and decorating it. The mop represents the short hair which I was always forced to have in Korean society (throughout middle school, high school and military service). Here the mops extend their hair and decorate it to escape the fate of cleaning the dirty floor and are gorgeous like the fancy chandelier above.

BOM

BOM shows my desire for nail art. Shovels mutated into a mirror with extending, polishing and deco-rating their nails. The shovels represent my nails, which are always just short, clean, and ready to work. The shovels have nail art. Nail art, which makes them lose their function to work efficiently but creates a new function, through being observed in their beautiful decoration and sculpting, providing pleasure. Then, they turn into a mirror that represents self-reflection, desire, and satisfaction.

Did you like it?
Share it with your friends

Bio

Dae uk Kim is an object maker who sculpts his desires and dreams, and a storyteller. Dae graduated in 2020 from the Eindhoven Design Academy with an MA in Contextual Design. During his studies, Dae experimented with the limitations he experienced in his life regarding his gender and identity. He likes to use objects as alter egos and proxies, allowing him to do what he can’t in real life. Through objects and visual communication, he discusses the framework of normality cultivated by modern and rational society, trying to satisfy the deepest wishes and fantasies that people cannot openly express nowadays.

Credits

Artworks by Dae uk Kim

GAGA, BOM, ELEKTRA, JENNIE / photo by Pierre Castignola

SIRI / photo by Koen de Bruyn

You may also like

Czech glass artist Anna Jožová transforms molten glass into synthetic paradises that question our curated relationship with nature. In today's interview, you will learn how New Zealand's wild landscapes awakened her practice, and why her artificial Eden might be more unsettling than darkness itself.
Brace yourselves, the cultural highlight of the Prague autumn season is on. The iconic and boundary-smashing Lunchmeat Festival just launched in Prague and, as with every edition, we plan to savour everything it has to offer – and invite you along for the ride. The festival’s entire programming runs between September 22 and 28.
Giusy Amoroso, also known as Marigoldff, is an Italian artist currently living and working in Berlin. Her singular work encompasses immersive media, 3D sculpting and animation, VR, and XR, and her creations feel like creatures that would be right at home in the Primordial Soup Hypothesis. Enjoy the extensive interview with the artist below, where we talk about shifting meanings, deep sea fascination, sculpting hidden reality, and “the beauty in the unfamiliar”.
Polish artist Marta Antoniak transforms plastic debris from 1990s capitalism into seductive yet dangerous surfaces, where childhood toys and shattered Christmas baubles become archaeological evidence of transformation. In today’s interview, you’ll get to discover how Marta paints with objects rather than pigments, creating works that sparkle with both promise and threat.