Ernesto, welcome back! Your last article on SWARM Mag has become the most viewed piece to date. How does it feel to know that your story resonates deeply with SWARM Mag readers?
It feels super awesome to know that my work resonated with your readers! I’m so glad the message came across.
In what ways did the creation of Trauma Toys captivate you at the start of your career, and how has your fascination with it changed over time?
The Trauma Toys became my obsession for a few years at the beginning. I was filled with energy and a burning passion but then it died down and I became severely burnt out. But now once again, I have found the fire and I’m excited to continue creating. 🙂
Can you describe the process behind crafting one of your signature handmade toys?
The toys begin with me looking at the huge pile of stuffed animals I’ve collected throughout the week. I separate them into colours and textures but sometimes the designs just jump out at me. I usually tend to go for a nice colour palette or a body part of an animal that would never appear on another animal’s torso. For example: a penguin’s head on a dog’s body.
What role do you believe handmade toys play in contemporary art, particularly in terms of nostalgia and emotional connection?
Handmade toys hold a significant place in contemporary art. There’s a vibrant community of artists creating everything from plushies to Japanese Sofubi, pushing the boundaries of creativity and expression. Toys are deeply tied to childhood memories, making them powerful vessels of nostalgia and an important cultural touchstone in art.
Looking ahead, what new projects or directions are you exploring in your artistic mission?
I’m going to be introducing a new kind of toy soon, something with a completely new vibe and feel. I’m also working on a guided-meditation trance album, and many more videos along the way.
At SWARM Mag, we are now focusing on the theme of SUGAR RUSH. Is there a particular candy that helps keep you energised while working?
I love Nerds, but Fundip is my fav!
Read the previous article here for more context and an introduction to Ernesto’s work.
