Julia Makivic invites us on a journey that juxtaposes folklore with futuristic technology. Join us on a visit to Camaraderie Park, a haunted theme park where holographic spirits recall a painful history from a position of reconciliation and intimacy. Don’t forget to bring your wearables!
“Maybe it's the need for mystery and spirituality or maybe it just looks good.” Jakub Hrdlička, working under the artistic pseudonym of Hrzla, shares in an exclusive interview for SWARM Mag his creative processes, inspirations, and the outlook on the recent gradual resurrection of medieval themes in art.
For some time now, our brains have been floating in the shallow waters of the Understimulation Sea. With bread, salt and hair clippers, we welcomed the era of staying safe and sane between the four walls, still. The third exclusive video by SWARM Mag awaits you.
The sharp, defined and technically demanding silhouettes of the dark, mostly black leather garments created by Alexandru Floarea are reminiscent of a twisted monarchy from a distant dystopian future. Enjoy an exclusive SWARM Mag interview.
“I prefer an imperfect but lively drawing.” Belgian native Mathieu Van Assche is adding more (perhaps mythical and ritualistic) layers of meaning to already loaded historical photographs and old masters' paintings.
Via linear hand embroidery, Czech artist Tereza Melková unleashes swarms of dancing skeletons and devils, dragons, girls turning into trees, and mythical creatures onto second-hand sweaters and hoodies.
When looking at Marijpol's world, we get the distinct feeling of encountering a mythical folklore monster born out of superstition and hearsay. Her digital illustrations of various chimeras and (human?) beings are rife with patterning and repeated structures almost to the point of a moiré effect.
Audiovisual artist Lea Petříková presents a series of three videos, all encompassing the NEO-MEDIEVALISM theme, bordering on contemporary expressive dance performance with added visual effects and a hint of storytteling. During viewing, they invoke a feeling that we're about to witness something ominous – but it never comes.
Trying their hand at predicting and outlining a future youth subculture aesthetic, German artist Ines Hanf presents their vision of a 2090 graphic and design trend, rooted in medieval sentiments filtered through black and death metal.